How should historians respond to acts of violence in the official archive? Catherine Phipps considers the life of Fadela Suisbeck, arguing that the epistemic attacks she faced highlight the urgency of historical work which takes account of police violence against sex workers.
In December 2019, as Paris was brought to a standstill by a massive public sector strike, I was happily foraging away in the backroom of the Centre for the Study and Research of International Revolutionary and Trotskyist Movements (CERMTRI). The volunteer archivist, who had ducked off from the picket line […]
How might we think about the history of walls, real and metaphorical, and their place in today’s political rhetoric? In this episode of the History Workshop Podcast, we talk to historian Paul Betts, author of Within Walls: Private Life in the German Democratic Republic.
VRG Menon spent a lifetime haunted by the power of this report card and attempting to use other forms of capital he had to compensate for it. But Venu – Moo – also dwelled in a world where the report card’s errors became a running joke, and, its incapacity to tell a full story, a site where the porosities in colonial authority were always evident.
Shahmima Akhtar explores a postcard from the Irish village of ‘Ballymaclinton’, a display at the 1908 Franco-British Exhibition in London created to promote an Irish soap brand and a politically white Irish unionism.
Warrane, which the British called Sydney, was invaded in 1788. Rosalind Carr shows how just as polite male gallantry in the eighteenth century enabled men to enact assumed gender superiority, in a colonial context friendship and civility became a performance of assumed racial superiority.
Writing History in a Drought Year.
“I want very much to write history that matters. But it should only matter for a little while:”
Editorial Fellow @menysnoweballes brings our #WritingRadically series to a close.
In commissioning this feature, editorial fellow Rachel Moss asked contributors: how can we radically re-imagine the writing of history? Over the next few weeks, our contributors reply with creative new methods, sources and forms that they are using to reshape what history writing can look like. In this instalment, Sarah Knott writes hastily, ahead of waking’s interruption, about being a historian who is always with child in one way or another.
In commissioning this feature, editorial fellow Rachel Moss asked contributors: how can we radically re-imagine the writing of history? Over the next few weeks, our contributors reply with creative new methods, sources and forms that they are using to reshape what history writing can look like. In this instalment, Niamh […]
How should historians respond to acts of violence in the official archive? Catherine Phipps considers the life of Fadela Suisbeck, arguing that the epistemic attacks she faced highlight the urgency of historical work which takes account of police violence against sex workers.
