Matthew McCormack sets the UK government’s response to Coronavirus in historic context, shedding some light on British responses to the Coronavirus pandemic, in contrast with the responses from other parts of the world.
The Coronavirus has brought chaos to global sport with major football matches played behind closed doors and postponements widespread across elite football, despite Government insistence that the show would go on.
Here Dr Tosh Warwick reveals how the threat of COVID-19 has echoes of a Victorian epidemic that brought controversial postponements, matches played in secret and conflict between clubs and sport’s governing bodies…
History Workshop’s crowd-sourced Strike Syllabus offers texts to inspire and galvanise, to stir righteous anger or provide necessary solace.
Birmingham Museum and Art Gallery holds hand-painted banners from the first political union in Britain founded in the 1820s, a plaque made from plaster scraped from the walls of Wormwood Scrubs by a First World War conscientious objector and over 100 badges collected by a local supporter of the miners’ strikes to name a few items, and this exhibition is presenting this hidden collection to the public in many cases for the first time.
The latest in our Power in the Telling feature introduces ‘MUTINY’, a new documentary looking at the British Caribbean experience of the First World War and its legacies, as revealed by the last surviving veterans of the British West Indies Regiment.
How does writing a community-engaged history of the Rastafari in Britain challenge the white-dominated production of history and demand new methodologies? Aleema Gray explores her dual position, as an ‘outsider from within’: a Black historian researching Black community histories.
The Young Historians Project (YHP) is a youth-driven initiative, centring young Black people in the production of Black history in Britain. Find out about their latest project, documenting the experiences of African women in the British Health System (1930-2000).