How can objects in Northern Irish museum collections spur conversations about Northern Ireland’s complex relationships with global histories of colonialism and imperialism? Briony Widdis explores.
As British museums respond to decolonisation demands, Tobey Ahamed-Barke considers whether their strategies actually address the coloniality of museums.
Hannah Worthen, Ed Brookes, Kate Smith, Gill Hughes, Stewart Mottram & Briony McDonagh
How can flood petitioning in the past & present increase local participation and resilience? The Risky Cities team explore 'learning histories' as a spur to climate action
How might we understand the origins and the impact of current controversies raging in Britain over changing interpretations of British colonial history? Corinne Fowler has close personal experience of those controversies.
Wikipedia: a digital wasteland of opinionated cesspits or a glorious repository of knowledge? Andy Drummond explores how one Wikipedia article turned into Central European battlefield.
What does it mean to engage students with difficult, traumatic, messy and complex histories of the British empire and the two world wars? How can we engage with the ‘un-commemorated’, whose names have not appeared on the memorial…
In the late eighteenth century Wedgwood’s medallion rallied people to the radical cause of abolition. Can it still inspire radical change today? Georgia Haseldine discusses the medallion’s historic radical power and re-making the…
Oral history creates a rich world of storytelling around any type of collection. Its methods can also shape a museum’s relationships and core identity.
How do we name empire and genocide, the structural violence embedded in our built environments, and why does it matter? Melanie J. Newton unpicks the contested legacy of Henry Dundas, eighteenth-century imperialist & "Uncrowned King of…
The gatekeepers of history have tended to take few risks. Julia Laite argues for a less certain, more quantum kind of history in the latest in our #WritingRadically series.
The last fortnight has seen many statues associated with racism and colonialism torn down. When were they originally put up, and what can that tell about the history of whiteness and empire? Peter Hill explores.
How can historical fiction, and the heritage sites that it features, help us think differently about the past? Lucy Arnold steps into Worcester Cathedral to take a local look at Hilary Mantel's Wolf Hall.
In the second of a series on 'Radical History after Brexit', Charlotte Lydia Riley reflects on British exceptionalism, and asks how historians can work with it.
How might historians and artists work together to explore the meanings of loss and grief? Laura King reflects on her work on the exhibition "Journey with Absent Friends", chronicled in issue 89 of History Workshop Journal.
