Writing History in a Drought Year.
“I want very much to write history that matters. But it should only matter for a little while:”
Editorial Fellow @menysnoweballes brings our #WritingRadically series to a close.
Writing History in a Drought Year.
“I want very much to write history that matters. But it should only matter for a little while:”
Editorial Fellow @menysnoweballes brings our #WritingRadically series to a close.
In commissioning this feature, editorial fellow Rachel Moss asked contributors: how can we radically re-imagine the writing of history? Over the next few weeks, our contributors reply with creative new methods, sources and forms that they are using to reshape what history writing can look like. In this instalment, Sarah Knott writes hastily, ahead of waking’s interruption, about being a historian who is always with child in one way or another.
A speculative methodology can also be a deeply political response to the conventions of archival research, argues Sonja Boon in our Writing Radically series.
“You don’t know what you had until you lost it”: at a time when few of us can travel far, Catherine Fletcher asks what role travel plays in the historical process.
For our new series on Writing Radically we asked: how can we radically re-imagine the writing of history? Will Pooley discusses the radical role of grammar.