Is Maggi Hambling’s ‘A Sculpture for Mary Wollstonecraft’ attuned to the intellectual accomplishments of the woman it was created for, or to the particular struggles of women in the present? Vic Clarke investigates.
Tag: Radical Objects
Shahmima Akhtar explores a postcard from the Irish village of ‘Ballymaclinton’, a display at the 1908 Franco-British Exhibition in London created to promote an Irish soap brand and a politically white Irish unionism.
How did an American comic book publisher become a crusader in the fight against HIV/AIDS? Frances Reed unearths the forgotten story of Eclipse Enterprises and its collectable AIDS trading cards, currently on display at the Royal College of Nursing.
The Poster Workshop was the first of the radical screen-printing workshops in London, and its posters offer a mirror to the political preoccupations of the times.
A handmade wooden gun confiscated by the British during the Mau Mau Uprising in Kenya made its way into Birmingham’s museum collection.
‘The lifejacket is a symbol and a provocation’, Christopher Whitehead responds to Manchester Museum’s acquisition.
John Marnell on MaThoko’s old post box, which played an important role as a key communication node for the nascent LGBT movement in South Africa during the 1980s and 1990s.