What can a gallery comments book tell us about the role radical photography can play in social change? Ruby Rees-Sheridan discusses the Half Moon Photography Workshop Comments Book as a radical object.
Long-unpublished photographs taken by journalist Alan Winnington in South Korea are now providing crucial evidence for the 1950 Daejeon Massacre. David Miller explores
Can personal photographs become a means to conduct oral histories? Josh Allen explores how the Living Memory Project’s methods expand the power of the photograph as a source.
Jane McChrystal surveys Norah Smyth’s engrossing photographs: a powerful record of women’s Suffrage activism, campaigning and social justice in East London.
What is a ‘photography of the East’? Taking the case of the ‘paradise island’ of Ceylon, Vindhya Buthpitiya explores how the island’s photographic past survives in fragments, glimpses, memories and fading archives.
Designer and photographer Anusha Yadav writes about the Indian Memory Project website, a visual and oral history of the Indian sub-continent through family and personal archives
Journalist and author Paul Mason shares his fascination with the “unruly women” of the Paris Commune