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To contact the History Workshop Online editorial team, please email us at hwoeditors@historyworkshop.org.uk

To contact History Workshop Journal published by Oxford University Press, please email historyworkshopjournal@gmail.com

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Read more posts from HWO

  • Migrant Textile Workers and Irish Activism in Victorian Dundee

    Migrant Textile Workers and Irish Activism in Victorian Dundee


  • Radical Objects: The Obelisk of Axum and the Complexities of Restitution

    Radical Objects: The Obelisk of Axum and the Complexities of Restitution


  • Rebel Flags, Fast Cars and the Capitol: The Confederate Flag in Popular Culture

    Rebel Flags, Fast Cars and the Capitol: The Confederate Flag in Popular Culture


  • Radical Books: Closing the Asylum

    Radical Books: Closing the Asylum


About HWO

History Workshop Online (HWO) is the online magazine of History Workshop Journal that seeks to continue the spirit of the History Workshop movement by publishing accessible and engaging articles that deepen understanding of the past for historians and the public, and which reflect upon present day issues and agitate for change in the world we live in now.
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Migrant workers often bore the brunt of exploitati Migrant workers often bore the brunt of exploitative working conditions and poor living situations. Niall Whelehan explores the resulting activism embraced by Irish migrant textile workers in Dundee.

This article accompanies Niall Whelehan’s piece “Saving Ireland in Juteopolis: Gender, Class, and Diaspora in the Irish Ladies’ Land League” in History Workshop Journal issue 90, where it is currently free access.

Link in bio.
What powers of legitimacy do physical representati What powers of legitimacy do physical representations of the past hold? Duncan McLean explores the journey and repatriation of a radical object, the Obelisk of Axum - its return seemingly affirming Tigrayan influence as hostilities play out in the region.

Link in bio.
What meanings can be attached to divisive symbols, What meanings can be attached to divisive symbols, and with what consequences? Isabel Gilbert explores the history of the Confederate flag and its reception, from the Civil War to the Dukes of Hazzard and, eventually, the Capitol Riots. 

Link in bio.
How do the histories of different groups termed Bl How do the histories of different groups termed Black by Europeans intertwine in Australia?

Emma Christopher on how the heirs of Atlantic slave traders farmed stolen Aboriginal land using the forced labour of Pacific Islanders
#blacklivesmatter #blackhistory #australia #australianhistory #slavery 

>>link in bio<<
To mark UK #census2021, Helen Sunderland explores To mark UK #census2021, Helen Sunderland explores children’s vital participation in the 1911 #census with lessons for today. #censusday #historylovers #historyofeducation #history #britishhistory link in bio
What was life like for a young Jewish woman in the What was life like for a young Jewish woman in the 18th Century Roman Ghetto? In the latest article in our ‘Whose Streets’ series, Ariana Ellis follows in the footsteps of local woman Anna del Monte and brings the streets to life. #womenshistorymonth #jewishhistory #rome #maps link in bio
"As historians, we are trained to turn to multiple "As historians, we are trained to turn to multiple sources, and creative writing is merely one example of how to account for marginalised actors’ experiences."

Anna Adima on creative writing, women's lives & African history.

Link in bio.
In our Radical Objects series, Robert Forder consi In our Radical Objects series, Robert Forder considers this Walter Sickert painting of the study of Charles Bradlaugh, radical MP and founder of the National Secular Society.

Link in bio.
How did Black activist organisations challenge far How did Black activist organisations challenge far-right racist violence in the London suburbs?

The latest piece in our 'Whose Streets?' series travels to Thornton Heath with Daniel Frost. Link in bio.

Image: Mural by Ben Slow in Thornton Heath, featured in Daniel Frost's StoryMap.
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