Thirty years ago, rave swept Britain, bringing a visceral sense of change. From film to dance, Peder Clark explores recent attempts to grapple with its legacies.
‘Stolen’, ‘plundered’ and ‘more than art’. Meg Foster looks at the living spiritual and cultural meanings of ‘objects’ featured in the Oceania exhibition at the Royal Academy of Arts.
In an exploration of Patty Ortiz’s art with DACA migrants to the US, Irina Popescu argues that performance art can encourage empathy and political responsibility.
In ‘Fallen Women,’ an exhibition held at the Foundling Museum, curators attempted, rather ambitiously, to explore this depiction of fallen women in period art.