How did an American comic book publisher become a crusader in the fight against HIV/AIDS? Frances Reed unearths the forgotten story of Eclipse Enterprises and its collectable AIDS trading cards, currently on display at the Royal College of Nursing.
The Poster Workshop was the first of the radical screen-printing workshops in London, and its posters offer a mirror to the political preoccupations of the times.
A handmade wooden gun confiscated by the British during the Mau Mau Uprising in Kenya made its way into Birmingham’s museum collection.
Medals for antimilitarism. Jared Davidson on New Zealand’s Socialist Cross of Honour and the personal tales of the antimilitarist movement.
‘The lifejacket is a symbol and a provocation’, Christopher Whitehead responds to Manchester Museum’s acquisition.
How do we determine whether an object is radical? Ruth Mather on the Farmer’s Arms jug at the People’s History Museum.
How are museums responding to the refugee crisis in Europe? Bryan Sitch on Manchester Museum’s acquisition & display of a refugee’s life jacket from the Greek island of Lesvos.
The political schism is often dubbed “Red versus Yellow” due to the colour of the t-shirts worn by the two rival movements.
Anna Maria Radcliffe created a bed sheet that functioned as an instrument of personal and communal memory, and as an agent of religious and political resistance.
Stephen Williams recounts the 1981 Peasants’ Revolt on Blackheath in South London, galvanising the left’s resistance to a Tory majority and commemorating the 1381 march.